Genre: Drama
Director: Mélanie Laurent
Starring: Marie Denarnaud, Denis Ménochet, Mélanie Laurent, Clémentine Célarié
Language: French
Duration: 100 min.
Summary:
Lisa and her adopted sister Marine
have been inseparable since they were kids. Along with Lisa’s mother Millie,
they have forged a deep bond that protects them from life’s hard knocks.
There is little place for men in their lives but when Marine falls in
love, their world is thrown off balance. Everybody tries their best to
find a new equilibrium, but tragedy soon strikes and the family must realign with a new reality in order to turn loss into hope and love.
The Adopted is the feature length directorial debut from French actress Mélanie Laurent, co-written with Christophe Deslandes and Morgan Perez. It was released theatrically in France in November 2011.
After a couple of shorts, including one shown at Cannes in 2008, and an erotic adult film for French pay TV channel Canal+, Laurent delivers a quaint and quirky indie drama in a similar vein to that of her recent outing in Mike Mills' Beginners. This one follows a tight-knit three woman family unit in the French city of Lyon. Millie (Clémentine Célarié) is the alcoholic matriarch who has sworn off men; Lisa (Laurent) her daughter, is a musician and a single mother; and adopted sister Marie (Marie Denarnaud) is a bookseller specializing in English books.
It has a promising start, the unique family dynamics are well presented, but the narrative soon gets conventional. Shy Marie meets and falls in love with the perfectly charming Alex (Denis Menochet, who you might also recognize from the opening scene of Inglourious Basterds), the family routine is shaken up, and things turn into a landslide of typical melodramatic mush. The result is a predictable and over sentimental cry-fest dotted with the requisite intentionally cute and funny moments and unsubtle music cues.
It's not all bad though, the entire cast of characters are watchable and they do share great chemistry which translates into some very entertaining individual moments. Also Laurent shows some promise behind the camera, with a strong eye for visual flair that cinematographer Arnaud Potier captures well. Unfortunately it's not the powerhouse debut I was hoping for.
— Bonjour Tristesse
11 comments:
Shame you didn't enjoy it as much as I did. But I do love a good cry fest!
I didn't knew that Laurent began directing. Personnally, I prefer when she is acting it is more pleasant for the eye. Maybe I'll have a look at it anyway.
Ohhh - thanks for the warning!
I could miss it. There's movies like this that are more accessible to me.
I don't mind a good cry fest, but this one had all the actors taking turns, yet failed to get me involved.
I do love watching her, and perhaps that's what made this one passable.
It's not horrible, just a typical indie drama and not very memorable.
Yep that's the main problem, there are a ton of films already just like this.
Seems a good lazy saturday film...
This looks like usual quirky and forgettable French indie, though I may watch it some day, even though I'm not especially impressed by Laurent and I thought she was the weakest thing about Beginners. Nice review!
Yeah it's basically a throwaway film. Thanks for the comment though.
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